Ed,
I am exploring alternate color spaces, bizarre processes and
different printing options. I like the ProPhoto colorspace and
find that I have many fewer problem spots when I use it; less
burnouts, fewer jet black holes and better skin tones.
A large percentage of the photo establishment insisting that
no camera, monitor, printer or eyeball can see anything other
than sRGB. It's easier to print, everything looks the same
everywhere, the least common denominator makes your life easier.
HOGWASH!
I suspect that these people are keeping MacDonalds
in business because it tastes the same everywhere. I am building
analytic tools to measure the degradation that occurs with
20-year-old color spaces from a formerly large, low quality
software empire.
I don't know if you will be able to see this but it is a fairly
colorful picture minimally processed in both ProPhoto and srgb,
converted to 16bit/channel raw, subtracted by the uint16 and
normalized. There is a mountain of difference.
<<Link>>
https://picasaweb.google.com/lh/photo/u4_oeKwuv6vXjOQesjBQri_P6Kt2i5G4X9d1GVZOYtg?feat=directlink
This is one of the reasons I wanted this tool. I need to do
zillions of these and 2 hours each was objectionable. These
Perl hashes are astonishing in their raw power on big data.
Crusading for Better Color,
BrianP
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